Archive for January 2009

10,000 Lakes Festival 2009

10klf_09_468x60

On Wednesday, January 21st, 2009, the people at 10,000 Lakes Festival unveiled their “biggest announcement ever”.  Being a fan of the festival, I waited patiently for the news to come across the wire and when it did it left me scratching my head.  The biggest announcement ever was that Dave Matthews Band, Wilco and Widepread Panic were to headline the 7th annual festival held at Soo Pass Ranch in Detroit Lakes, MN from July 22-25. 

In the past this festival has ebbed and flowed with its artist selections and it’s been my experience that the closer the genres, the better the festival.  Take for example the 2004 festival which mixed powerhouse jambands like String Cheese Incident with MTV faces John Mayer and Maroon 5.  This festival was a disaster and it’s no wonder the gods rained on us for three straight days in the middle of July!  In 2005 the festival seemed to have learned a lesson and booked Trey Anastasio, Widespread Panic, the Black Crowes, Les Claypool creating a much more fluid festival.  In 2006 and 2007 they stuck to that notion which resulted in even better festivals.  Those festivals were a blast!  Unfortunately the lineup for the 2008 festival slipped again when they mixed as headliners the artsy space rockers the Flaming Lips with political hip-hop musician Michael Franti & Spearhead.  The attendance was way down and I sat this one out for the first time.

So that brings us to 2009 and the “biggest announcement ever”.  Obviously the festival is banking on the fact that Dave Matthews Band has a huge following and has never played the festival, but I believe they didn’t look past that to the fact that Widespread Panic has an equally devoted following who for the most part are Dave Matthews Band haters.  Oh snap!

When I first read that Dave Matthews Band would headline a night, I envisioned thousands of bros slapping high-fives, giving chest bumps and chugging beer cans while thousands of Widespread Panic fans gritted their teeth with suspicion.  It’s been my experience that most (not all) hardcore DMB fans have a hard time seeing past the pedestal they have put this band on and have relatively closed minds to other musicians.  This is unfortunate for a smaller festival like 10,000 Lakes Festival whose crowds in 2009 will certainly be dominated by DMB fans.  I’ll be one of few sitting on the fence with one of the best rock bands in America, Wilco.

The super-awesome band Guster gave a great first-hand example of a Dave Matthews Band concert.  In the summer of 2004 Guster opened for Dave Matthews Band during a string of ampitheatre performances and in their road journal as written by drummer Brian Rosenworcel, they documented their experience at Alpine Valley ampitheatre in East Troy, WI.

“After our performance on Sunday, I needed to know some answers. Who were these people blowing off our 43-minute set, and what were they doing that was so much better than watching me beat my hands to a bloody pulp for their amusement? Two beers and one golf cart acquisition later, me and Joe and Chris set out to find out.

The parking lot is all gravel and grass. There’s a section full of chartered busses, a section full of limousines and their bored-as-shit drivers, and endless cars parked in a vaguely linear fashion (but not linear enough that there weren’t a few near-disasters on the cart).  There are people in the parking lot during Dave’s set. Not just limousine and bus drivers, but people like you and me, only drunker. There was no chance of being recognized as a member of Guster out there. Afterall, these people not only blew off our set to hang out in the parking lot, they blew off Dave’s set to hang out in the parking lot. Two girls who flagged us down for a ride (not into the concert, mind you, but to another part of the parking lot) asked “where’d you snag the cart?” The assumption, because we were doing donuts in the parking lot with a golf cart, was that we were not super-official, but thieves. Even when they noticed the credentials hanging around our necks, all they could think to ask was “where’d you snag the laminates?”

The grounds were in pretty bad shape… they looked not unlike the Hatch Shell after The Last Dispatch concert, not unlike some parts of Afghanistan, and not unlike our Earth Day Concert in 2000. There were bottles and crushed cans everywhere. It wasn’t easy to navigate around these obstacles, and a few times I had to use the brake. But as we were making our way into the corner of the lot, by a fence near the woods, things began to look uglier and uglier. Ridiculous amounts of bottles and cans. The quality of the beer was getting worse too. Did someone actually drink thirty cans of Keystone Light!? There were the remnants of ripped up lawn-chairs obscuring our path and random spatulas strewn about. It was darker in this corner than in other areas of the parking lot. I slowed down. Chris said “this is where you buy the crack.”

For someone that’s been on the road for nine years, I’ve been on the wrong side of the tracks a few times. Chicago, East St. Louis, Washington DC. Once I got chased by a kid with a baseball bat while riding my bike through a neighborhood I probably shouldn’t have been in in Des Moines, Iowa. So at this point, I am 31 years old, and I think I have my street instincts pretty well intact. I put the golf cart in reverse, and I drove us the hell out of there.”

With an eclectic mix of big-name talent this year’s festival will probably have its largest attendance yet.  I will be there with as much optimism as I can possibly muster and hopefully I’ll make it out without repeating the lyric that Kurt Cobain once sang: “Take a look at where you are, it’s pretty scary!”. 

The complete initial list of 2009 10,000 Lakes Festival performers can be found here.

Umphrey’s McGee – Mantis review

Umphrey’s McGee is releasing their sixth studio album entitled Mantis to the world on January 20th, 2009.  Perhaps not by coincidence, this is also inauguration day in America for a fellow Chicagoan which marks a progressive step forward in a new direction for our country.  Thanks to the prudence of Umphrey’s McGee and the dedication to their fans, I received my copy of Mantis a few days before they hit store shelves.

For their past studio efforts, Umphrey’s McGee molded and remolded tunes onstage while wide eyes watched and then they layed them down in the studio.  But for Mantis the band moved in an entirely new direction.  This album was chiseled out in the studio and offers 100% new material that fans had yet to hear.  A few months before the release Umphrey’s McGee released some tracks to their myspace page and then offered a one of a kind pre-order package that was eaten up with overwhelming success.

Mantis starts off with”Made to Measure”, a short and fun concoction with great lyrics and choruses that makes one feel as though he’s bouncing over speed bumps on a Huffy bike.  Title song “Mantis” is track three on the album and a true monster that will undoubtedly be huge onstage.  Huge may be an understatement as with the first listen this song stood out as the strongest on the album and each subsequent listen only makes it better.  Jake Cinninger’s guitar rips through the emotion Brendan Bayliss’ lyrics build and the subtle addition of a string section over the interlude works wonderfully.

Track four is entitled “Cemetary Walk”.  The tune starts off with a Joel Cummin’s piano intro then breaks loose with verses toned in a danceable 80’s rhythm.  Only half-way through the album and thematic undertones of introspection are becoming very clear.  By the time “Cemetary Walk” ends it feels as though you are being pushed through a meat grinder.  This song is great, especially if you like being pushed through a meat grinder! 

Number six is entitled “Turn & Run”.  This is a nice tune with great vocals but overall it isn’t much of a standout until Cinninger let’s go on the second half of it.  And when I say let go I mean letting go in an Eddie VanHalen-esque shred your mind with tight leather pants, ripped sleeves and big hair sort of way!  Holy shit!  “Turn & Run” leads into track seven perfectly and I could easily see these going back-to-back onstage.  Track seven is “Spires”, a muff heavy guitar song that asks a lot of questions and then answers them by the end with a slight sense of optimism.  “Spires” is as much of Mantis as any tune on the album, yet it seems to be the one that could not be removed without significantly damaging the other remaining parts.

“Prophecy Now” is the title of track eight.  This is a chanty prayer-like song sung by keyboardist, Joel Cummins, with an electronic drum beat driven rhythm.  I’m not sure how it will translate live, but it may make for a wonderful show or set opener.  Track nine is called “Red Tape” and is dominated by the synthesized sounds of Joel Cummins.  The tune is fairly forgettable on the album but should work well onstage.  Mantis ends with “1348″, a melting pot of Umphrey’s McGee’s sound and I cannot wait to hear this one live!  Kris Myer’s drumming is every bit as heavy as Jake Cinninger’s progressive guitar-work, and before the song is over everyone has had a chance to interject.  ”1348″ ends in double time leaving the listener dizzily wishing that he had worn a seat belt.  A great closer indeed.

Mantis is the strongest studio album to date for Umphrey’s McGee.  Leaving their always anticipated midwest humor behind, it’s an album thematically heavy on self-introspection, reflection and change and by the end it I believe the title is finally understood.  Mantis is not referring to the female insect that has a nasty habit of eating her male partner after mating, it is referring to death of the past and optimism for the future.  Regardless of its symbolization Mantis deserves a good listen.  With two years of effort put into it, Mantis is gorgeously composed and the most artistically cohesive album to date for the band.  

Mantis

Mantis

TRACK LIST:
1. Made to Measure 3:12
2. Preamble 0:36
3. Mantis 11:49
4. Cemetery Walk 7:30
5. Cemetery Walk II 2:19
6. Turn & Run 7:25
7. Spires 7:41
8. Prophecy Now 2:47
9. Red Tape 5:43
10. 1348 4:49

                                              Total Running Time: 54:04

Starting January 19th, Umphrey’s McGee will be touring heavily in support of this album so please do yourself a favor and go see them live when they come to your town.

The Verve – albums ranked

The Verve

The Verve

In 1989 a group of college students in Wigan, England came together and formed one of the greatest rock bands of the 1990’s.  Verve was their name then but later they were forced to change it to The Verve due to a trademark infringement lawsuit by the jazz label, Verve records.   I first heard the band at the height of their popularity in 1997, but it wasn’t until several years after their demise that I really heard them…

  1. A Northern Soul – Epic and intense is the best way to describe this album that was released in 1995.  This is The Verve’s second album and was recorded during four months of heavy drug use and in-fighting between singer Richard Ashcroft and guitarist Nick McCabe.  From beginning to end this album burns with intensity and raw power.  Ashcroft’s lyrics are strong and McCabe’s guitar sounds near perfect. This album is heavy and any fan of Britpop or rock must own this album.  This is a top 5 album for me, it’s that incredible!
  2. A Storm in Heaven – This, the band’s debut full length album was released in 1993.  A Storm in Heaven is a shoegazing masterpiece full of thick psychedelic guitars, heavy basslines and eerie vocals.  This album firmly placed The Verve  as one of the most buzz-worthy and impressive British rock bands of the time.  Songs “Slide Away”, “The Sun, The Sea”, and “Blue” are standouts on this album.
  3. Verve ep – Although not necessarily an “album”, this ep deserves to be on the list.  The Verve released this debut ep in December of 1992 and it included the previously released single, “Man Called Sun”.  That beautiful tune is accompanied by the awesome song “Gravity Grave” and three others pushing a total length of over 31 minutes.  This ep is raw with Nick McCabe’s signature sound.
  4. Urban Hymns – This album was released in 1997 and instantly became a commercial hit in the UK and soon in the USA with help from the singles “Bittersweet Symphony” and “Lucky Man”.  Urban Hymns was really closer to a Richard Ashcroft solo album than an actual Verve album because Nick McCabe had quit and the band signed on Simon Tong to fill in during recording while Ashcroft wrote all the tunes.  McCabe returned to finish recording the album but soon after the biggest tour in the band’s history, McCabe was once again out and the band was once again finished. 
  5. Forth – Eleven years after Urban Hymns, the original members of The Verve regrouped for their fourth album ironically titled, Forth.  When I heard in 2007 that Richard Ashcroft, Nick McCabe, Simon Jones and Peter Salisbury were back in the studio working on this album, I was salivating with excitement.  But once the album hit my stereo on August 26, 2008 I was immensely disappointed.  The album has some moments like the opening track “Sit and Wonder” which sounds like a new version of A Northern Soul tune.  “Rather Be” and “Appalachian Springs” are also nice but overall this album lacks cohesiveness and sounds more like a studio experiment than an album 10 years in the making.  Simon Jones deserves props for outstanding bass-work on this album though.

Phish announces 2009 Summer Tour!

After a 5 year break that left Phishheads scrambling for something new, Phish is back and has officially released a 2009 summer tour through the month of June.  Rumors of them headlining this year’s Bonnaroo Festival in Manchester, TN still cannot be ruled out, since the festival runs June 11-14 and the boys will be in the very near vicinity.  This tour will follow their 3-night run in March at Hampton Coliseum in Hampton, VA where last fall the band sold out every night within minutes leaving thousands of fans without tickets.

6.04.09 Nikon at Jones Beach Theater, Wantagh, NY
6.05.09 Nikon at Jones Beach Theater, Wantagh, NY
6.06.09 Comcast Center, Mansfield, MA
6.07.09 Susquehanna Bank Center, Camden, NJ
6.09.09 Asheville Civic Center, Asheville, NC
6.16.09 Fox Theatre, St. Louis, MO
6.18.09 Post Gazette Pavilion, Burgettstown, PA
6.19.09 Verizon Wireless Music Center, Noblesville, IN
6.20.09 Alpine Valley Music Theater, East Troy, WI
6.21.09 Alpine Valley Music Theater, East Troy, WI

Welcome!

Welcome to the blog for Chad Rieder Photography!  Here I will be posting concert reviews with photos, trip reports with photos, and other random thoughts.  Please come back again soon and be well!