Life is Music™

Together for their first shows since the Basilica Block Party in Minneapolis last year, The Jayhawks reunited for a long awaited trio of concerts at First Avenue.  The band warmed up for these concerts with an in-store performance at the Electric Fetus record store and a live taping on 89.3 The Current.  After that it was three shows at the infamous First Avenue.

I attended nights one and two.  With the sold out “Rock the Garden” concert keeping the younger crowd busy just across town, the capacity crowd on this Saturday was predominantly middle aged and brimming with energy.  The Brooklyn based duo, KaiserCartel, opened before The Jayhawks finally took stage.  At that time I looked throughout the crowd and saw nothing but smiles.  The band opened with the hit “Wichita” from their classic 1992 record Hollywood Town Hall.  From their they worked through songs from every era of the band before ending the show with a five song encore.

The Jayhawks

Gary Louris

Gary Louris & Mark Olson

The Jayhawks – First Avenue – Saturday, June 19th, 2010

Wichita
Pray For Me
Real Light
Red’s Song
Nothing Left To Borrow
Tomorrow The Green Grass
Let The Critics Wonder
Two Hearts
Settled Down Like Rain
Nevada Ca.
Falling Star
Two Angels
Blue
I’d Run Away
I Don’t Want [Sir Douglas Quintet]
Miss Williams Guitar
Lights
Bad Time
People in This Place on Every Side

Encore:
Waiting For The Sun
Ann Jane
Will I Be Married
Over My Shoulder
Last Cigarette

Sunday night the crowd was more mixed with younger people but the smiles didn’t change.  Once again First Avenue was electric with anticipation for the legendary hometown band.  After local band Strange Lights got things going with a moody rock set, The Jayhawks took the stage with ease and all smiles.  They opened the night with the song “People in This Place on Every Side” from their recently released The Bunkhouse Album.  Once again they worked in their hits including another beautiful version of “Blue”.  That song has never sounded better and will never get old.  They ended the night with a four song encore including an absolute goose-bump inducing “Tampa to Tulsa”.

Each night I witnessed professional musicians at their finest.  The Jayhawks were smooth, playing as though they had never taken a break.  The band didn’t hesitate to call out friends in the crowd making each night feel intimate and fun.  The Jayhawks are an amazing band.  Lets hope that they continue playing together.

Mark Olson & Gary Louris

Gary Louris

Marc Perlman

The Jayhawks

The Jayhawks – First Avenue – Sunday, June 20th, 2010

People in This Place on Every Side
Up Above My Head
Red’s Song
Real Light
Nothing Left To Borrow
Tomorrow the Green Grass
King of Kings
Two Hearts
Clouds Settled Down Like Rain
Someone Will
See Him on the Streets
Blue
I’d Run Away
I Don’t Want [Sir Douglas Quintet]
Miss Williams GuitarLights
Bad Time
Wichita

Encore:
Ain’t No End
Sister Cry
Tampa To Tulsa
Will I Be Married

The Jayhawks – First Avenue – Monday, June 21th, 2010
Wichita
Over My Shoulder
Real Light
Red’s Song
Nothing Left To Borrow
Tomorrow The Green Grass
Let The Critics Wonder
King of Kings
Two Hearts
Settled Down Like Rain
Martin’s Song
Take Me With You When You Go
She’s Not Alone Anymore
Blue
I’d Run Away
Miss Williams Guitar
Lights
Bad Time
People In This Place On Every Side

Encore:
Tampa To Tulsa
Waiting For The Sun
Will I Be Married
Almost Saturday Night* [John Fogerty]

The New Standards know how to play.  Putting a jazz twist on everyday pop songs, this trio of accomplished Minnesota musicians has created a style all their own.  I was quite fortunate to witness their late night set at the wonderful Dakota Jazz Club in Minneapolis, MN on Saturday, June 5th.

With John Munson (formerly of Semisonic & Trip Shakespeare) on upright bass, Chan Poling (formerly of The Suburbs) behind the piano, and Steve Roehm on the vibraphone, The New Standards played an exceptionally entertaining set of pop covers.  The intimate brick lined Dakota Jazz Club was the perfect venue for the near capacity concert.  The crowd listened along with attentive ears and a respectful quietness, although the band’s humor and interesting choice of songs induced chuckles at times.  Britney Spears’ song “Toxic” was my favorite with Steve Roehm taking it out with some very impressive vibraphone work.  Their version of The Clash’s “London Calling” opened my eyes to the song.

Later in the evening, Twin Cities jazz singer Kristin Rooney joined the band for a few songs.  Then the Minneapolis alt-country legend Gary Louris (The Jayhawks) sat in and sung along.  The night ended with a satisfied crowd yelling for more.  Go see this band when they are in your area.  They put on a fantastic show.

Here are a few samples of their music.  More songs and tour dates are available on their website.

Hey Ya (Outcast)
London Calling (The Clash)
Toxic (Britney Spears)

The New Standards

The New Standards

The New Standards

The New Standards with Kristin Mooney & Gary Louris

On Thursday, May 6th, I had the opportunity to photograph the Evik James Band.  Evik James Band is a power pop trio of accomplished musicians based here in Minneapolis.  I had a great time working with them and thankfully the rain held off just long enough to get the job done.  Here are a few of the publicity shots I took for them.

Check the band out at www.evikjamesband.com.

Evik James Band

Evik James Band

Evik James Band

Evik James - guitar & vocals

Brendan Bayliss shines

“I’m just being a representative of the Midwest.”

Brendan Bayliss sings that lyric in the Umphrey’s McGee’s tune, “Slacker”. Yet when it comes to playing shows in the Midwest, Umphrey’s McGee has never slacked. Instead they continuously bring multi-day runs to the heart of their fan base and the fans show up big, oftentimes from all parts of the country. In their fourth year at the best rock club in the Midwest, the prog-rocking powerhouse brought it larger than ever with the inclusion of their newly innovative and wonderfully orchestrated Stew Art series (S2).

In the Stew Art series (named after “Jimmy Stewart” which is what the band calls their improvisational jams), a very limited amount of fans not only get to direct the music the band plays, but there is a question & answer and meet & greet session. I was fortunate to have taken part in this and it was a fantastic experience that I’ll never forget.

On Friday, March 12th, a capacity crowd welcomed the Chicago band with high spirits as Umphrey’s McGee returned to Minneapolis for night one of their three night run at First Avenue. The first set was a good primer for things to come. The second set rocked. And their were still two days left.

Friday, March 15th, 2010 setlist:
Set I:  Spires, “Jimmy Stewart” > Linear > Mulche’s Odyssey, Much Obliged > Hajimemashite > Glory > Hajimemashite, Hurt Bird Bath

Set II:  Professor Wormbog > Booth Love*, Cemetery Walk II > Making Flippy Floppy**, Gulf Stream > Miss Tinkle’s Overture > Masoka Tango > Miss Tinkle’s Overture
Encore:
Got Your Milk (Right Here), Waiting Room

Notes:
* with Get Up, Stand Up jam
** with Can’t You Hear Me Knocking jam

Brendan Bayliss

Umphrey's McGee

Ryan Stasik

Umphrey's Mcgee

Saturday afternoon I was one of fifty people to take part in the Minneapolis edition of the Stew Art series (S2) which the band started last fall in select cities. When we entered First Avenue, the shadowy club was dimly lit and a large projector screen stood upon stands on the main floor. Pizza and refreshments were provided and half an hour later things got started.

The idea behind Stew Art is to give the fans ultimate control over what the band plays. Fans text message ideas to the sound guru, Kevin Browning, who then displays them on the screen for the band to read. The band makes up the music on the spot and plays a few minutes before molding directly into the next idea which is highlighted. Entering (S2), I was a bit skeptical about this process, but Umphrey’s McGee quickly put those thoughts to rest. The precision of how they play while directing each other is nothing short of amazing. The band’s Midwestern humor has always been evident to me, and on this day hilarity oftentimes ensued from the ideas the fans sent in. Imagine for a moment the band playing as Revenge of the Nerds, or guitarist Jake Cinninger making up words to “Divisions” as he sang like Johnny Cash. That’s how things ended, and when it was over, it took a long while before I could wipe the smile off my face.

After a little over an hour of music, the band then stepped onto the floor to talk and sign autographs. It was a nice experience to talk to the band and their crew. Guitarist, Jake Cinninger, summed up the musical energy the band brings to every show. With a goofy smile on his face he illustrated to me how moments of their live shows peak, “It goes to you, it goes to me, it goes to you, it goes to me, it goes to you, it goes to me…..” The band’s openness and sincere appreciation of their fans is something to be admired.

Stew Art (S2)

Stew Art (S2)

Stew Art (S2) - Waful designs #1

Stew Art (S2) - Waful designs #2

Stew Art (S2) - Waful designs #3

Those who attended the Stew Art got to stay in the venue for the night’s show. Doors opened at 6PM and the venue was quick to fill. The band sounded well rested and they brought great energy straight from the start. The first set rocked.   The second set opened with the title track to their spectacular 2009 release, Mantis. The song was huge and from there I knew the second set was going to get heavy.  The band worked into a jazzed up version of “Wappy Spayberry” with the help of Minneapolis  saxophonist, Kevin Sinclair.  “Fussy Dutchman” was excellent before a dark and nasty “Ocean Billy” into “Plunger” mash. This was the best show I witnessed all weekend, and one of my favorite Umphrey’s McGee shows ever.

Saturday, March 13th, 2010 setlist:
Set I:  Prowler > In the Kitchen, Cemetery Walk > Pay the Snucka (parts I & II) > Atmosfarag > Resolution* > In the Kitchen , That’s All > Pay the Snucka (part III)

Set II:  Preamble > Mantis > Wappy Sprayberry^ > Mantis, The Fussy Dutchman, Push the Pig, Steppin’ Razor > Ocean Billy > Plunger > Kula > Plunger > Ocean Billy
Encore:
Alex’s House^, 1348

Notes:
* with Norwegian Wood jam and Rock Your Body (Justin Timberlake) teases
^ with Kevin Sinclair on sax

Brendan Bayliss as yoda

Jake Cinninger

Kris Myers

Joel Cummins

Jake Cinninger shreads

Umphrey's McGee

Sunday, March 14th was the finale of their recent American tour. Minneapolis’ own, Heatbox, opened the show with some funk driven hip-hop. Heatbox is a one-man band minus the tangible instruments. He plays beats and instrumentations with his voice and samples them over before adding lyrics. Umphrey’s McGee joined in for his last tune, and worked straight into “Jazz Odyssey” to start their show as he picked up his gear and left the stage. That’s not a show introduction one often sees.

First Avenue was maybe over two-thirds full leaving ample space to move. This was appreciative on a Sunday night as the band once again rocked for the hard cores. Last year I made some friends at the First Avenue shows. We labeled ourselves the “Circle of Trust” and on this night we returned to the same balcony rail that we met at a year before.

Set one was fun, but set two was powerful. The “Nothing Too Fancy” and “Andy’s Last Beer” mashes got things moving and the wicked “Wizard Burial Ground” encore tore the place down.  This was another terrific show and a great way to end the weekend.

Sunday, March 14th, 2010 setlist:
Set I:  #Jazz Odyssey > Hangover > Wife Soup > The Triple Wide*, Slacker > Dear Lord > Slacker, Rocker (part II) > YYZ > Hangover

Set II:  Nothing Too Fancy > Higgins > Get In the Van > Nothing Too Fancy, Andy’s Last Beer > Muscle Shoals Nitty Gritty > Andy’s Last Beer, JaJunk > London Calling > JaJunk
Encore:
Wizard Burial Ground> Made to Measure > Wizard Burial Ground

Notes:
Heatbox opened
# during his closing jam, Heatbox was replaced by Umphrey’s before seguing into Hangover
* with Rhiannon teases

If Umphrey’s McGee can top this weekend in their next Minneapolis run, I’d be a little surprised. But then again nothing this band does should be surprising. After all, it was Sunday night when singer Brendan Bayliss also sang in “Slacker”, “In the end I must confess, you have yet to even witness our best.”

Jake Cinninger

Ryan Stasik

Jake Cinninger

Brendan Bayliss

Brendan Bayliss

Saturday Set Break

Trey Anastasio and Classic TAB

On Saturday, February 20th, 2010, Trey Anastasio made his triumphant return to the Twin Cities. He was last in Minneapolis in 2005 with his side project, 70 Volt Parade. But most importantly has been the absence of his powerhouse jamband, Phish. The last Phish show in Minneapolis was September, 24th 2000. Jesse Ventura was the governor of Minnesota then. It’s been a while, and most would say too long. But on this night Anastasio tried to make up for lost time with an extensive meandering performance in the company of his original Trey Anastasio Band.

The show opened with “Last Tube” and from there worked into a massive set of TAB tunes as well as the shuffling bass-heavy Phish tune, “Sand”. Their version of “Tuesday” on this night was utterly spectacular.  Trey then stood alone onstage with an acoustic guitar. This is something one doesn’t get to see everyday and it was a real treat. Anastasio wasn’t sure what to play straight off, and fumbled around a bit to the liking of the crowd before finally playing “Joy”.

Trey taps along to the crowd singing "Bathtub Gin"

He then went into four more Phish tunes and had the crowd yelling and singing along emphatically. “Bathtub Gin” had the crowd happily playing their part, and the wonderful acoustics of the State Theatre had Anastasio smiling and laughing. From there, Trey went into “Farmhouse”, a gorgeous “Waste”, and ended with “Chalkdust Torture”.

The Phish tune “Gotta Jibboo” opened up set two. It started off with its repetitive nature, but by the end Trey pushed it as high as it could go. Soon after the band played a slow piano-driven, funk-swinging tune called “Alaska”. This was a nice change of pace to the upbeat nature of most of the show.

Towards the end of set two, singer and trumpeter, Jennifer Hartswick, took the microphone for a ridiculously good version of Led Zeppelin’s “Black Dog”. She nailed this song with the hammer of the gods and seeing Trey’s appreciation for her effort was amusing to say the least. He faced her throughout the song, blasting his Languedoc guitar at her in a way that would have made Jimmy Page proud. She took his energy and wailed!

The night ended with a pretty standard version of “First Tube”. Anastasio took the song out like a Jedi, wielding his guitar overhead and swinging it forward with feedback reverberating.  By this time it was after midnight, and the capacity crowd was stirring wildly. When this lengthy show (over 3 hours) was finally over, it was evident by the look on all the fans faces that they got their moneys worth. Trey Anastasio and his Classic TAB were excellent. Hopefully Anastasio doesn’t forget the Twin Cities fans for long, as a stop on Phish’s fall tour is now a decade overdue.

Live at The State Theatre

Trey Anastasio Band

Trey plays acoustic I

Trey plays acoustic II

Trey Anastasio Band

Trey Anastasio Band

"First Tube" encore

Trey Anastasio with Classic TAB – State Theatre – Minneapolis, MN 2.20.10 Setlist:
Set I:
Last Tube
Shine
Caymen Review
Push on til the Day
Mozambique
Drifting
Night Speaks to a Woman
Tuesday
Sand
Joy (acoustic)
Water in the Sky (acoustic)
Bathtub Gin (acoustic)
Sleep Again (acoustic)
Farmhouse (acoustic)
Waste (acoustic)
Chalkdust Torture (acoustic)

Set II:
Gotta Jibboo
Valentine
Money, Love and Change
Liquid Time
Alaska
Goodbye Head
Mr. Completely
Show of Life
Black Dog (Led Zeppelin cover)
encore:
First Tube

Glen Hansard

The Swell Season ended their 2009 US tour in Minneapolis, MN on Saturday, December 5th. The unlikely Oscar-winning duo made up of The Frames’ front man, Glen Hansard, and the soft spoken Czech, Marketa Irglova, were nothing short of brilliant.

The always lovely and eternally heartbroken Rachael Yamagata opened the show to a filled State Theatre of considerate yet enthusiastic fans. Yamagata’s set was short and sweet, with her imagery of each song oftentimes leaning towards the fixture of love, and her troubles in keeping it.

Glen and Marketa took the stage alone and opened their set on their knees with “Fallen From the Sky”; a pinging digital drum track from a small Casio keyboard provided the rhythm. Marketa looked a bit like a gypsy while wearing a traditional eastern European skirt and blouse, while Glen Hansard looked like a true Irishman, bushy red hair and beard moreover. Together they put on one of the most sincere and intimate shows I can remember.

Glen Hansard is a true singer/songwriter. He is earnest, appreciative, and genuine with a tattered acoustic guitar baring the skeletal structure of his passion. He and Irglova worked through a few songs as a duo before The Frames also took the stage to add more instrumentation. They worked through most of the songs from the fantastic movie Once (which everyone must see), other Swell Season songs, a few older songs by The Frames, and towards the end of the set Hansard covered “Astral Weeks” by fellow Irishman, Van Morrison. His poignant playing of that song induced a standing ovation.

Throughout the evening Glen wasn’t afraid to keep the crowd’s consideration with some lively endearing banter. Before a song when an 18th century violin was accidentally knocked over from its stand by The Frames’ violinist, Colm Mac Con Iomaire, Glen took several minutes to heal the beautiful instrument with some monk-like chanting. Thankfully the instrument lingered unscathed. But when he took time to describe the old women he had met recently who had lost her son in the World Trade Center attacks, I think a good portion of the crowd was on the edge of tears. From that story he went to the rim of the stage and half screamed out the most dynamic song of the night, “Say it to Me Now”. It was truly chilling.

One of the last songs he played solo was a traditional Irish song that he dedicated to the last remaining member of the original Irish rock-n-roll band, The Clancy Brothers, who had passed away just the day before. This time it was Glen who seemed to be on the edge of tears as he had the crowd singing along, “Raise a glass”.

The Frames have been around for twenty years. Their intricate playing complimented Hansard and Irglova beautifully, not once overpowering the duo as they embarked on perhaps their last US gig together for some time. Throughout the evening the tension of their relationship was palpable, and those emotions rang through every song.

Glen Hansard took the show out with an all-acoustic and unplugged version of “You Ain’t Goin’ Nowhere” by Bob Dylan. The full cast of the night’s show including Rachael Yamagata joined in. The song started at the front edge of the stage and ended with Hansard leading a snaking march around the stage with everyone following. The crowd was singing along, “Hoo wee, Ride me high, Tomorrow’s the day my bride’s gonna come, Hoo wee, Are we gonna fly, Down into the easy chair?”

I went to this show with no expectations, and left thoroughly in awe. The Swell Season were fantastic on this chilly late fall evening in Minneapolis. It was clear that Glen Hansard warmed the hearts of many though. He is a shining man. His love for music is real.

The Swell Season at The State Theatre, Minneapolis, MN 12.5.09 Setlist
Fallen From the Sky (duet)
Lies (duet)
Low Rising
Feeling the Pull
In These Arms
The Moon
If You Want Me (sung by Irglova)
Fantasy Man (sung by Irglova)
Say It to Me Now (Hansard solo)
Leave (Hansard solo)
What Happens When the Heart Stops? (Hansard solo)
Astral Weeks (Van Morrison cover, Hansard solo)
Traditional Irish song (Hansard solo)
The Court of Newton (violin solo by Colm Mac Con Iomaire)
Alone Apart (sung by Irglova)
Two-Step (Low cover)
When Your Mind’s Made Up

Encore:
Falling Slowly (duet)
High Hope
All This Means Nothing Without You (sung by opener Rachael Yamagata)
High Horses

Second encore:
Red Chord
You Ain’t Goin’ Nowhere (Bob Dylan cover)

The Swell Season sell out the State Theatre

The Swell Season

Glen Hansard of The Swell Season

photo courtesy of Trampled by Turtles

Born from the Superior shores of Duluth, MN, Trampled by Turtles have gained tremendous momentum since their inception as a band back in 2003. Like a snowball rolling down a hill, with each new show and each new album, the fan base grows exponentially. The band now spans out far past the Midwest, playing shows in wonderful venues all across the United States, Canada, and even Europe. But no matter where they are, Trampled by Turtles does not forget their humble beginnings in Minnesota and the fans that helped them attain their modern success.

Original members Dave Simonett, Dave Carroll, and Erik Berry started Trampled by Turtles as a novelty side act to their respective rock bands, but as circumstances would have it, Trampled by Turtles wasn’t ready to play second fiddle to any band.

Singer and guitarist, Dave Simonett, explained the origins of the band in a recent telephone interview, “Well three of us started the band, that’s Eric Berry, Dave Carroll and myself. None of us had ever really played bluegrass before, or this style of acoustic music but we were really getting into it. We’d been playing rock music before, and this band was started as an acoustic side project to those bands. But as time went on, all those bands split and this band was all that was left. I was dead broke and left with just my acoustic guitar, after someone stole my electric guitar and my amp while loading out gear after the last show with my previous band. And like I said, the other bands were gone, and all my gear was gone, so this just naturally happened.” An escalating amount of fans across the country are grateful for that.

One of the most memorable moments for the band in the last year was playing the main stage and the seventh annual 10,000 Lakes Festival in Detroit Lakes, MN. Their growth at this fantastic festival precisely represents their evolution as a band and the direction they are headed in the future. After starting on the small saloon stage in 2004, then growing to the festival’s barn stage in 2006 and 2007, then finally playing for fans as far as the eyes could see on the main stage in 2009, the band has come full circle. “That was a blast!” Simonett said proudly. “That was really something that was so exciting for all of us.”

With a new management team on board, Trampled by Turtles have a tour schedule full of larger venues including the recently announced Stagecoach Festival next April in California. But don’t expect these larger shows to start going to their heads, “We spend enough time packed into a little van and staying on people’s floors to stay grounded.” Dave said when asked if there was a definitive moment that made him realize the band was getting big and he could make a career out of music. “As far as making a career out of it, that was something that I knew personally before I even made my first dollar. Playing music is what I always wanted to do. Before we even started touring or selling any albums, we made that decision to see if we could do it.”

This quintet from Duluth has come a long way with their unique take on bluegrass music and their live show is not to be missed. Seated in chairs, the band bangs out enough raw energy to part the sea and if a listener is brave enough to stand in their way, the music will surely shroud every last bit their being. Their music is as much rock as it is folk, as much metal as it is bluegrass, but one thing it definitely is not, is lacking in sheer power. When asked what part of the country gets the rowdiest at their shows, Simonett responded with a laugh, “Probably the Midwest, but it really depends on where we are playing.”

With four albums under their belts and a new and currently untitled release due out next April, Trampled by Turtles are on a mission to spread their music far and wide. Currently they are doing just that, one unassuming step at a time with fans ever-enthusiastic holding on in the wake of the flood.

Who: Trampled by Turtles
Where: The Aquarium
When: Friday, November 20th
Cost: $15, 21+

Written for High Plains Reader in Fargo, ND for their November 19th, 2009 issue.

Trampled by Turtles rock to a sell out crowd of faithful fans

It’s been just under a year since Trampled by Turtles last filled First Avenue to capacity.  After a recent stint on the east coast and a Halloween show in their hometown of Duluth, MN,  the Minnesota boys were back at the best rock club in the midwest and their fans were ready.  First Avenue sold out once again.

Charlie Parr

A guitarist and drummer from Duluth called The Boomchucks opened the show.  They were very appreciative to be onstage at First Avenue and played a nice and short set to get the night started. 

By the time humble and brilliant Northwoods folkster, Charlie Parr, took the stage, First Avenue was filled.  No time was wasted on stirring the crowd as he thumped his boot down on a homemade kick box and squealed across the strings of his trademark steel resonator guitar. The lively and youthful crowd bounced along with a roar and they didn’t ease until Trampled by Turtles walked off the stage some three hours later.  Charlie Parr was accompanied by Mikkel Beckmen from The Brass Kings on washboard. Dave Simonett, the singer and guitarist of Trampled by Turtles, later joined the two.  For Parr’s final song, the remaining members of Trampled by Turtles took their respective places on stage to create a smile-inducing jamboree. 

Soon after, the curtain was raised for Trampled by Turtles.  Never to be underestimated, the band brought in their sold out show with a wonderful version of “No Surprises” by Radiohead.  They then rocked through songs from each of their four albums as First Avenue heated up into a sweltery sauna.  It was so hot that security sprayed water into the crowd at times.  Simonett did his best to cool things down as he calmly sang the cold and slow moving lyrics of “Duluth”, the title track of their fourth album.  The fans who made the voyage down from the town made their presence known by singing along, “Still I like the quiet, of Duluth in the winter.  In the sacred morning, there’s no place like home.” The local support was nice to see and certainly not surprising.

Dave Simonett of Trampled by Turtles

Singer and guitarist, Dave Simonett, announced in the middle of the set that they just finished recording their fifth album which is due out in the spring.  The band then played several new songs from it and the crowd slowed down with attentive ears open.  The new songs were very good. Bassist, Tim Saxhaug, later took the vocal reigns to lead a uniting sing-along of the classic ”Stand By Me”.  It was upbeat and fantastic.  All night the band was relaxed and I’ve never seen them play a better live show.  The live experience of the band was more obvious than ever as they burned through a wonderful set for their favorite local fans.  Big things are due for these talented alternative bluegrass rockers, and rightfully so.  Go see this band!

Charlie Parr & Mikkel Beckman

Charlie Parr and Trampled by Turtles jamboree

Ryan Young of Trampled by Turtles

Erik Berry of Trampled by Turtles

10,000 Lakes Festival 2009

Wednesday, July 22nd, 2009 

Gomez – Gomez rules.  This was one of the bands I was really excited to see at the festival.  The crowd was relatively slim and while most were quite chatty with first-day festival energy, Gomez put on a very fine rockin’ performance.

Widespread Panic – With the day #1 crowd finally packing full the concert floor and most of the lawn, Widespread Panic headlined the night.  Their first set was nothing to write home about, but their second set brought the energy.  Still I have a hard time getting too excited over this band.  Jimmie Herring is a damn impressive guitarist though.

Kinetix - This Denver, CO rock band is led by a hip-hop singer and funky ass rhthym section.  These guys were a nice small stage treat after Widespread Panic.  I didn’t see it all, but what I saw was good and a whole lotta fun.

Pretty Lights - This set kicked butt.  Onstage was dj Derek Vincent Smith and drummer, Cory Eberhard.  Together they shook the entire concert bowl with electro-driven rhythyms and great mixes.  I was impressed.  

Thursday, July 23rd, 2009

Railroad Earth - Over the years I’ve heard a lot of good things about this band.  This was my first opportunity to see them and they were excellent band to bounce around to in the mid-day sun.  Rootsy Americana tunes is their game and they play it very well.

Mason Jennings - Umm, boring.  We’re talking a major yawner here.  And I waited through the entire set to ensure I had a good spot for Wilco.

Wilco - This was the best show of the festival and it wasn’t due to “the Price is Right” intro.  I talked to a lot of people up front who had never even heard of Wilco before, and once the music progressed I watched these same people rock their asses off.  The band opened with “Wilco (the song)” and ended with “Hoodoo Voodoo”.  In between was a lot of recent tunes with “One Wing”, “Bull Black Nova” and “Country Disappeared” sounding phenomenal from the new album.  The band was on all night and most of the crowd appreciated it.  Of course there were a few dipshits trying to ruin the party for everyone.  For every glow stick that hit that stage some little girl’s puppy died.  You stupid punks who were throwing those should truly be ashamed. 

Wilco will love you baby

Nels & Glenn of Wilco

Atmosphere – As soon as I got to the stage sprinkles came down.  I don’t know a lot about this hip-hop band but the section of their set I hung around for was fantastic.  The crowd was rocking as much as I had seen all weekend.  When the first downpour came, I tucked my camera under my arm and ran like Adrian Peterson.  I give props to those who tried to stay it out.  In the end a big set was cut way short due to thunderstorms.

Friday, July 24th, 2009

Tea Leaf Green – My first time seeing them and I wasn’t overly impressed.

Steve Kimock’s Crazy Engine – The band was ripping it!  I only caught a few tunes on my way to the main stage to hold down a front row spot for Trampled by Turtles but these guys were great.  Thankfully I heard the rest of their set from afar while waiting for TBT.

Trampled by Turtles – The boys from Duluth have grown up to the Main Stage!  I’m thinking the Field Stage would have been a better fit as this huge stage dwarfed the band but the crowd was out in groves and it was great.  They started off with a few jitters (can’t blame them), but as things warmed up their hardcore fanbase and new listeners gave them the support they deserved.  It was great seeing one of Minnesota’s finest treasures letting it fly up there on the big stage and it seemed to end far too soon.

Dave Simonett & Tim Saxhaug

Ryan Young & Dave Carroll

Erik Berry & his son

Widespread Panic - Hey promoters, why the hell didn’t Umphrey’s McGee have this headlining spot?  Seriously though, are you people friggin’ crazy?  Midwest represent!!  Although I’ve had some great times at Widespread shows in the past, their unchanging tempos, stale drumming and similar song structure is boring.  This set was just OK in my book, which ain’t saying much of anything at all.

Wookiefoot – This show was a load of fun and one of the highlights of the festival.  Although their music has never captured me, the stage show is the brilliance behind this band.  Everything from the lights, to the fire dancers, to the back-up singers, to the alien bugs on stilts makes this an impressively theatrical show.  The band pushes the creative envelope and delivers a positive message which in the end will always make me smile.

Saturday, July 25th, 2009

Umphrey’s McGee - My love for the music these guys create is definitely not unknown, but I had a hard time getting into this set.  They seemed to be on a mission to destroy everything in front of them with some very heavy jams.  They played as well as they always do but it wasn’t the most festival friendly set in my opinion.  The sun was incredibly hot which didn’t help at all.  These guys need to be seen at night to truly appreciate, and put them in a rock club and it’s prog-rocking heaven.  They have one of the best light shows out there and that arsenal wasn’t even touched.  Hey 10KLF, main stage headlining with two sets next time OK?  Thanks!

Umphrey's McGee

Dave Matthews Band - My love for this band faded the day I realized quality beer was not available in 30 packs.  That didn’t stop me from checking them out though and I’m glad I did.  I had just as much fun watching their hardcore (and large) fan base enjoy themselves as I did watching the actual show.  Their “Burning Down the House” cover was excellent.  Even though I felt they cut it short (why not 2 sets?), this show was good fun.  It was also another gorgeous night for tunes and a fine way to end my 10KLF 2009.

With beautiful people everywhere, near perfect weather, friendly security and staff, this ranks very high in my 10,000 Lakes Festival experiences.  My only gripe was with the scheduling but one cannot control everything.  Next time make Umphrey’s McGee a headliner for the sake of everything good in music.  Then I shall return.

The Hold Steady at Basilica Block Party

Even Minneapolis mayor R.T. Rybak got in on the festivities while wearing a Hold Steady t-shirt as the one-time Twin Cities rockers, The Hold Steady, were back in town.  The band was back this time for the 15th annual Basilica Block Party, the annual music fundraiser to support the Basilica of St. Mary church.  And while Friday night The Jayhawks and The Black Crowes endured on and off rain, Saturday night The Hold Steady were fortunate to be blessed with an absolute perfect summer evening in Minnesota.

Minneapolis mayor R.T. Rybak

Mayor R.T. Rybak introduced the band and then the crowd waited a long eight or so minutes before The Hold Steady finally took the stage.  Singer/guitarist, Craig Finn, was all smiles as he picked up his guitar and jumped into the opener ”Constructive Summer”.  From there on out the wild crowd rocked as the band ripped through their set overflowing with Twin Cities influence.  No new songs were introduced, but instead the band gave the hometown crowd what they expected and as usual the often fanatical Hold Steady crowd was there to respond with fists pumping, feet jumping and voices backing the band passionately.  “Lord, I’m Discouraged” was a gorgeous highlight especially considering the surroundings.

the always energetic Craig Finn

After about an hour and ten minutes, the band took a quick encore break before Craig Finn came back with a beer bottle in hand and grateful smile on his face.  He put the crowd into a frenzy as he talked about Minneapolis and how it has changed since the late 80’s when he roamed town.  “In fact the only thing that really seems the same is Minneapolis’ two greatest houses of worship”, he exclaimed as he pointed, “The Basilica and First Avenue!”

singer/guitarist Craig Finn

With guitarist Tad Kubler on acoustic, the band changed directions and worked through a two of their slower songs, “Citrus” and “First Night”.  It was a beautiful moment before mayhem once again ensued as night ended with “Stuck Between Stations” and “Killer Parties”.  The Hold Steady rocked the best show I’ve seen all year.  It was a massive night.

Franz Nicolay on keys

 The Hold Steady – Basilica Block Party, Minneapolis, MN - July 11th, 2009
Constructive Summer
Hot Soft Light
Chips Ahoy!
Sequestered In Memphis
The Swish
Magazines
Massive Nights
Party Pit
Don’t Let Me Explode
Stevie Nix
Multitude of Casualties
Yeah Sapphire
Southtown Girls
Lord, I’m Discouraged
Your Little Hoodrat Friend
Stay Positive
Slapped Actress
How a Resurrection Really Feels
————
Citrus
First Night
Stuck Between Stations
Killer Parties

FLAC audience recording available here.

Minnesota Twins

Rock-n-Roll

Don't Let Me Explode